The best known of Congo art is the nkisi, a term which is untranslatable, but which refers to carved figures which are used for dealing with problems “ranging from public strife, theft and disease to the hope of seducing women and becoming wealthy. An nkisi generally contains relics from someone who has died, or clay from the cemetery. It also contains medicines. When there are nails or blades protruding, it is call an nkondi, which means “the hunter.” The nkonde are the most powerful of the nkisi. They were used to identify and hunt down unknown wrongdoers such as thieves, and people who were believed to cause sickness or death by occult means. They were also used to punish people who swore false oaths and villages that broke treaties. To inspire the nkondi to action, it was both invoked and provoked. Invocations, in bloodthirsty language, encouraged it to punish the guilty party. Having gunpowder exploded in front of it, and having nails hammered into it would also provoke it. They were also used to literally “hammer out agreements”...with clear implications as to what would happen to people who broke the agreements. The nkisi are used by their owner or the nganga (sorcerer/spiritual specialist) to please the different spirits who are supposed to regulate the world. When an nganga believes that a figure has lost its power, it is discarded and made again. A fearsome figure, with glass covered belly enclosure.
Ethnic Group:
Knonde Society
Country of Origin:
Congo
Material:
Deminsions:
Reference:
Tribal Arts of Africa by - Bacquart Africa - The art of a Continent- Guggenheim Museum