Mumuye figures are some of the most highly stylized figures found in West Africa. Their highly attuned figures are prime examples of the best of abstractive and stylistic development available in African sculpture. The Mumuye are also well known for their highly abstracted figures carve in wood figures called Lagalagana. This sculpture incarnating the tutelary spirit, however, has been worked in iron reflecting a tradition relatively undocumented in their art. Figures such as this represent females with a high crested hairstyle and large wooden plugs placed into the extended lobes of the ears. This is a unique example of Mumuye iron working blending the craft of the blacksmith to the better known shape of the wooden carved figures.. Even though the Mumuye show great respect for the ancestors, their statuary does not depict ancestors but rather incarnates tutelary spirits. These statues were used by both diviners and healers, whose professions included diagnosis and cure of ill health and other kinds of misfortune. They are thought to be able to manipulate the forces of nature and control human behavior. Mumuye figures participate in ceremonies to bring rain, guard the house, make iron, heal, advise, and officiate at funerals, and serve as the wner’s confidant. They are also used in trials when men in dispute swear on the statue, which they must kiss. Elders used them to reinforce their status in society. It was not unusual for a figure simultaneously to serve two or more functions.
These figures are in the care of a trusted elder who keeps them in a shrine that is a small hut in the family compound where the figures are involved in family and everyday community life.
Due to the difficulty of access to their lands of rocky hills and savannas, the Mumuye remained in near total isolation until the end of 1950. They were an unknown culture before the 1960s.