Artists in Dan society have mastered the art of carving impressive, large wooden spoons that are virtuoso works of sculpture. The spoons are known by many names, including wake mia or wunkirmian, which roughly translates as “spoon associated with feasts.”
The spoons range in size from a foot to two feet and have one or (rarely) two parallel bowls. The handle of the spoon is always related to the human form and often feature a pair of legs like this example.
Among the Dan, the owner of the spoon is called a wunkirle, or wake de, or “at feasts acting woman.” It is a title of great distinction that is given to the most hospitable woman of the village. With the honor, however, comes responsibility -- the wake de must prepare the large feast that accompanies masquerade ceremonies. The excellent farming abilities, organizational talents, and culinary skills of the wake de are called upon to properly welcome and celebrate the masquerade spirits.
When a woman has been selected as the main hostess of such a feast, she parades through town carrying the large spoon as an emblem of her status. On the day of the feast, she dances around the village dressed in men's clothes because “only men are taken seriously.”
With help from her numerous assistances (usually female relatives or friends), she distributes grains and coins to the children of the community while dancing and singing her special shrill song. The deep belly of the spoon from which this bounty is dispensed becomes the symbolic body or womb of the female figure. The event creates a profound visual analogy that honors the hostess, and women in general, as a source of food and life
In addition to being emblems of honor, wunkirmian also have spiritual power. They are a Dan’s woman’s chief liaison with the power of the spirit world and a symbol of that connection. Among the Dan, the wunkirmian have been assigned a role among women that is comparable to that which masks serve among the men. In many instances, wunkirmian are featured in the same ceremonies with masks, tossing rice in front of them as a blessing while they proceed through the village.
Ethnic Group:
Dan Society
Country of Origin:
Liberia, Cote d'Ivoire
Material:
Wood
Dimensions:
19 inches
Reference: Four Dan Sculptures - Continuity and Change
Marc Ginzberg, African Form
Lindsay Hooper, "Domestic Arts -- Carved Wooden
Philip L. Ravenhill, The Art of the Personal Object