Olumeye [o-loo-may-yay] refers to a kneeling female holding a lidded bowl that was used to hold the kola nuts (obi) a host offered to his guests in a domestic hospitality ritual or to deities (orisha [o- ree-shah]) in the context of religious worship. Such bowls may also have been used to store valuables. Olumeye means “one who knows honor” and serves as “a messenger of the spirits.” The figure also celebrates Yoruba aesthetic ideals of feminine beauty. All Yoruba sculptors knew how to carve an olumeye.
Beautiful kneeling female figure carrying her child in the back and presenting offering in a large cylindrical container. The pointed coiffure on the mother enhances her the beauty of her face. Her nudity and kneeling pose suggest humility before a deity in a ritual setting. Children, like the one carried on her back, are considered to be blessings given from the god in return for devotion. The chicken or rooster opens to reveal a small container for offerings to be placed. This figure a devotee of the god Eshu, the Yoruba trickster god. Also known as Elegba he is the deity of the crossroads, one who confuses us or directs us to avoid dangers, he is the Yoruba deity who carries messages and offerings to the gods and is best known as the trickster god of their pantheon.Eshu manipulates creative energies, communicates with the gods, and embraces secret knowledge. He/she can become invisible, appear in an instant, and mystify us by her actions or appearance. Spiritual power is thought by the Yoruba to almost literally spring from the head. The woman's shaved hairline emphasizes the head as a channel for the god's possession and allows for the insertion of medicines, magical substances associated with Shango.