TERA Gallery - African Art and Antiquities

"Altering The Way You View The World Of Art"
Type of Object:
    Bamana Tji Wara

    Meticulously hand carved from indigenous wood, these
    remarkable sculptures are often referred to as a Tji-wara
    headdress. The vertical design of this pair indicates they
    originated from the Eastern Bamana region.

    Tji Wara or Tji Waras are "danced" twice a year, for the
    planting, and again after the agricultural cycle to honor the
    best farmer in the village.   

    The antelope represents the mythical character who taught
    the Bambara how to grown grain and cultivate the land.  The
    horn is a symbol of the millet's growth.  The structural and
    carved zigzag designs represent the sun's movement from
    east to west.

    Bamana males were required to pass through a series of
    the six consecutive initiation societies known as the Dyow
    that were designed to assure their grasp of anscestrial
    traditions, each level being associated with the use of
    specific zoomorphic masks.

    The well known Chi Wara mask or antelope headdress was
    worn by the Tji Wara or fifth society, whose dances were
    performed to ensure the success of the village crops. Chi
    Waras always appeared in a male / female pair at the
    beginning and end of the agricultural cycles to symbolize the
    sun and earth, a tradition that continues even today. The
    structural and carved zigzag designs represent the sun’s
    movement from east to west.

    This presentation is exceptional representing a male,
    female, and female with young and is a great example of the
    Bamana art.


Ethnic Group:
    Bamana Society

Country of Origin:  
    Mali
Material:   
    Wood , cotton theard balls, brass, animal fur

Dimensions:
    male - 38 " tall by 11' across
    female - 36" tall x 8" across

Reference: