Meticulously hand carved from indigenous wood, these remarkable sculptures are often referred to as a Tji-wara headdress. The vertical design of this pair indicates they originated from the Eastern Bamana region. Tji Wara or Tji Waras are "danced" twice a year, for the planting, and again after the agricultural cycle to honor the best farmer in the village. The antelope represents the mythical character who taught the Bambara how to grown grain and cultivate the land. The horn is a symbol of the millet's growth. The structural and carved zigzag designs represent the sun's movement from east to west.
Bamana males were required to pass through a series of the six consecutive initiation societies known as the Dyow that were designed to assure their grasp of anscestrial traditions, each level being associated with the use of specific zoomorphic masks. The well known Chi Wara mask or antelope headdress was worn by the Tji Wara or fifth society, whose dances were performed to ensure the success of the village crops. Chi Waras always appeared in a male / female pair at the beginning and end of the agricultural cycles to symbolize the sun and earth, a tradition that continues even today. The structural and carved zigzag designs represent the sun’s movement from east to west. This presentation is exceptional representing a male, female, and female with young and is a great example of the Bamana art.
Ethnic Group:
Bamana Society
Country of Origin:
Mali
Material:
Wood , cotton theard balls, brass, animal fur
Dimensions:
male - 38 " tall by 11' across female - 36" tall x 8" across